Tuesday, June 29, 2010

Hymn of the Pearl

Within the Acts of Thomas is a beautiful poem describing the exile and redemption of the soul. The text is known as the "Hymn of the Pearl".

When I was a little child,
and dwelling in my kingdom of my father's house,
and in the riches and luxuries of my teachers,
I was living at ease.

[Then] from our home in the East,
after they had made preparations,
my parents sent me forth.

...

Then they made with me an agreement,
and they inscribed it in my heart so that it would not be forgotten:
"If [you would go] down into Egypt
and bring the one pearl,
which is in the middle of the sea
surrounded by the hissing serpent,
then you will put on your glorious garment
and your toga which rests over it.
And with your brother, our second in command,
you will be heir in our kingdom."

...

The Hymn of the Pearl.


The Apostle Thomas sings the hymn while in prison.

The hymn tells the story of a boy, "the son of the king of kings", who is sent to Egypt by his family to retrieve a pearl from a serpent. He is promised rich rewards on his return. During the quest, he is seduced by Egyptians and forgets his origin. Later, a letter is sent from the king of kings to remind him of his past. The boy receives the letter, remembers his mission, retrieves the pearl and returns. The boy is everyman, as spoken by Thomas; the "king of kings" is Jesus.

What is our purpose in life and how is it that we stray from that path? When we are young, it only seems that life is much simpler. Our parents guide us and instruct us in the ways of the world. We need not make decisions for ourselves. But as we grow older, we journey on, meet new friends, and make our own decisions.

What choice we make are often wrong, for the path of life is fraught with indecision, betrayal, and confusion.We are tempted by wealth and power. Material comforts become an opiate that distracts us from the true purpose of life. The pearl we seek is not wealth, but wealth as symbolized by our real values, the lessons we were taught as children. And that lesson is to serve others.

Thursday, June 10, 2010

Up to the Mountain

It is the best of all possible worlds and couldn't possibly be better.
Voltaire - Candide


I went up to the mountain
Because you asked me to
Up over the clouds
To where the sky was blue
I could see all around me
Everywhere
I could see all around me
Everywhere

...

Some days I look down
Afraid I will fall
And though the sun shines
I see nothing at all
Then I hear your sweet voice, oh
Oh, come and then go, come and then go
Telling me softly
You love me so
Patty Griffin - Up to the Mountains



The Cranky Old Man asked me what Candide's words have to do with the lyrics from Up to the Mountain.

Very little, if you take them at face value. Voltaire's Candide is a satiric view of  life, which Voltaire sees as a cruel struggle for survival where hope and love count for nothing. Candide travels throughout the world while one misfortune is heaped on another, all the while expressing the notion that God has preordained everything and it is for the best. Patty Griffin's Up to the Mountain is a tribute to Martin Luther King Jr.'s last speech. In the speech King compares himself to Moses who led his people out of bondage and to the promised land. From the mountaintop Moses viewed the Promised Land, but he was to die before reaching it. The speech was delivered in Memphis, Tennessee on April 3, 1968. The next day King was assassinated. The lyrics are a reaffirmation of the hope that exists in every soul that God's voice does speak to us, telling us softly that he loves us so.

Cranky thinks to himself that if we have to choose, we choose hope over despair.

Sunday, June 6, 2010

The very thought of it

Marcel Proust said it best in "The Remembrance of Things:
"When nothing else subsists from the past, after the people are dead, after the things are broken and scattered· the smell and taste of things remain poised a long time, like souls· bearing resiliently, on tiny and almost impalpable drops of their essence, the immense edifice of memory."
The ocean, a new book, a cup of coffee, a rose, even the musty smell of a basement - all these smells conjure up for me a memory of some time and place from the past. My first memory that I can recall is standing on a gigantic steamer boat, the S.S. Rose, and looking out over an endless sea. I was no more than three or four at the time and my family was returning from Panama to North Carolina. My father was a career army officer. We had lived for a year in Panama where it had been hot and humid. We lived near the jungles and my mother would later tell me stories of how I was always almost lost in the jungles. But, I don't remember any of that.

It is the boat, standing on the deck and looking out at the immense ocean that I vividly recall. The scent of the ocean’s salty green brine that hits not only your sense of smell but taste with its salty sweetness. At sea decaying fish and seaweed are consumed by ocean dwelling bacteria and produce a sort of fishy tangy smell. The smell is unique. Anyone who been on a boat that has recently been fishing knows this smell can stir up a flock of seagulls in to a ravenous frenzy.Perhaps it is this primeval need for food that stirred in me this memory. The memory is more visual than olfactory, but that is not unusual. Smell is a more subtle sense than sight. It embeds its effect in silent ways and calls out to our need for basic survival, the need to eat.

What I do remember is that it was the instance between dusk and night. When the sun is setting, the sea turns from turquoise to iridescent orange, and then in a moment both night and sea turn purple then black. The rippling of the waves and the wake the boat makes the scene animated as if thousands of hands in a multitude of colors, turquoise, orange, purple and all sorts of shades in between are waving at me at the boat silently glides through the water. In my memory, I am shorter than the railing. At times I have my hands on the thick rail watching the show and smelling the air. At other times I stand there hands at my sides awestruck by the immensity of the boat, ocean, and sky. I was too young then to process this thought, but I have often wondered since whether it was at this moment that I understood what it was to be part of the universe. To describe that moment as spiritual is fitting even though at that age I would not have understood the word. Spiritualism is after all deeply confusing even as we grow older.The one thing that even a child can understand is that we are a part of something larger, and that try as we might we can never understand it all. As Marcel Proust might have said, we are tiny almost imperceptible drops within a cosmic universe. The thought is both humbling and reassuring. Humbling for who are we to think that we can in any way make an impact on the world. Reassuring in that we know that in at least one sense our atoms will continue to form and reform in a myriad of different life forms and continue to be part of this universe until the end of time.

Every return trip to the ocean invariably brings back this memory. But even the smell of fish at a local restaurant like the The Fish Market, here in Wichita can involuntarily trigger this memory. The very smell of it - Halibut, Salmon, Mahi-Mahi, Grouper, Tuna, Haddock, Oyster, Clam, Calamari - will bring back that time, place and smell of long ago. The memory like mementos stored in a cigar box is carefully tucked away, safe and secure.

Tuesday, June 1, 2010

The games people play

"It's like kids playing house: 'You play the father, I'll play the mother.' ... You know, you dress up, you play, they pay, you go home. It's a game — acting's a game."
                                 — Robert Duvall

I think Shakespeare said it first, life is but a game. It is the the basis of at least two of his plays -  first in , A Midsummer Nights Dream and then  As You Like It. The monologue that expresses the thought best is by melancholy Jaques, who says:

"All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse's arms;
And then the whining school-boy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths, and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lin'd,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slipper'd pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well sav'd, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion;
Sans teeth, sans eyes, sans taste, sans everything." — Jaques (Act II, Scene VII, lines 139-166)
Enough of Shakespeare. If we can't live in the future, let's at least live in the present.

Listen to Robert Duvall, whose acting career spans roles from To Kill a Mockingbird and Apocalypse Now to Lonesome Dove and most recently Crazy Heart. The NPR podcast is coming, but here is the link to his thoughts on the subject of acting and living. Acting and living are really the same things, aren't they? So, if you could be someone else, anyone in the world, all you have to do is close your eyes, act it out, and imagine it.

Sunday, May 30, 2010

recognizing beauty

Status:
True

Example:(Submitted, January 2008)
A man sat at a metro station in Washington DC and started to play the violin; it was a cold January morning. He played six Bach pieces for about 45 minutes. During that time, since it was rush hour, it was calculated that thousands of people went through the station, most of them on their way to work.

Three minutes went by and a middle aged man noticed there was musician playing. He slowed his pace and stopped for a few seconds and then hurried up to meet his schedule.

A minute later, the violinist received his first dollar tip: a woman threw the money in the till and without stopping continued to walk.

A few minutes later, someone leaned against the wall to listen to him, but the man looked at his watch and started to walk again. Clearly he was late for work.

The one who paid the most attention was a 3 year old boy. His mother tagged him along, hurried but the kid stopped to look at the violinist.

Finally the mother pushed hard and the child continued to walk turning his head all the time. This action was repeated by several other children. All the parents, without exception, forced them to move on.

In the 45 minutes the musician played, only 6 people stopped and stayed for a while. About 20 gave him money but continued to walk their normal pace. He collected $32. When he finished playing and silence took over, no one noticed it. No one applauded, nor was there any recognition.

No one knew this but the violinist was Joshua Bell, one of the top musicians in the world. He played one of the most intricate pieces ever written,with a violin worth 3.5 million dollars.

Two days before his playing in the subway, Joshua Bell sold out at a theater in Boston and the seats average $100.

This is a real story. Joshua Bell playing incognito in the metro station

was organized by the Washington Post as part of a social experiment about perception, taste and priorities of people. The outlines were: in a commonplace environment at an inappropriate hour: Do we perceive beauty?

Do we stop to appreciate it? Do we recognize the talent in an unexpected context?

One of the possible conclusions from this experience could be: If we do not have a moment to stop and listen to one of the best musicians in the world playing the best music ever written, how many other things are we missing?

Saturday, May 29, 2010

The Farm House

Farm  houses are like sentinels on the plains, waiting and watching, silently standing against the weather and time.

Across Kansas and the other plains states farm houses dot the landscape, a testament to the courage of the settlers who first tamed the prairie. Go down any country road, inevitably one finds a farm house situated near a pond or a creek. Its location defies logic. Trial and error has destined that a family should try its luck at homesteading, but not all trials are successful. The empty farmhouses remain. They still stand like the giant stone heads of Easter Islands, a monument to a past race whose stories are now forgotten.

It is inevitable that in time, the wood takes on the appearance of great age. And against the color of the deep green grass and the pale blue sky, the wood is a lifeless gray. The windows panes are black and opaque, or  left empty; you can imagine the ghosts of a family still lingering.

Once there was a lot of sound. In the summer one imagines mother cooking supper in the kitchen, she is wearing a sleeveless cotton dress that she sewed herself, father comes from the fields, he mops the sweat and dirt of the day's labor from his brow, and the several children - usually there were several to make up for the absence of neighbors and the loneliness of life on the prairie - the children come in the back door barefoot and wearing loose fitting clothes, still excited after a day at the swimming hole. They all get ready to join in the one certain daily ritual, the evening meal. Their faces are indistinct. I can't make out whether their hair is blond or brown, their eyes blue, green or black. They might have been German or Swedish, English or French immigrants. Time has erased all memory of them. Most of the furniture was taken when the family left the house.A few scrapes of paper remain, but the words are darkened and worm eaten, so that even a forensic scientist could not put a name to the place or the faces.

The strangest thing of all is the silence. One can imagine the endless activity that took place over the years that the house was occupied. Visitors coming and going, a birthday party, a long succession of nights around the dinner  table, and an evening on the porch watching the stars. Now the silence is funereal, and I think that this fate awaits each house. One day I will be old and gray, the kids will be gone, and my house will stand empty, and its story forgotten.

More images of farm houses.

Saturday, May 22, 2010

Running on empty

For at least a month, or more, I have been running on empty. Sure I get up each morning and follow the routine - work, workout, more work, dinner, sleep. Boy is that boring. I need a break. My spiritual and mental gas tank is empty. I am, at this point, going through the motions, finding that everywhere I turn is a dead end. I am - as an old friend once described it - driving on fumes.

I packed my bags, put my bike in the car, loaded up CD's of John Cheever's short stories and Sue Grafton's A is for Alibi, grabbed Sammy my over agressive German Shephard, and headed out. My destination was the Roaring River State Park in southwest Missouri. There was now real reason for my decision. Someone had mentioned it to me in passing.The tour guide at the Missouri  Visitor's Bureau had said that she and her husband were headed there in two weeks. And, it is close to the Lake of the Ozarks.

What I didn't know was that Roaring River is one of five Missouri trout hatcheries. I am not a trout fisherman, I don't even fish. I don't have the patience. But, there are a lot of avid fishermen and women in Missouri and one fifth of them or more were here at Roaring River to take advantage of the thousands of state spawned trout.

 I am not one to waste a trip. So, Sammy and I waded in the Roaring River amongst the fishermen and women who stood along the shore casting their lines like so many synchronized swimmers. The water is cold and it felt invigorating for my legs after a short run through the Mark Twain National Forrest. Like I say, why waste a trip.


The other reason for getting away, other than the physical beauty of a new location, is the opportunity that it give us to think outside the box. Life has become a routine. And, only by gettign away can we see a little more clearly who and what we are. I am staying this eveninbg at the Oakcrest Cabin and RV Park. Just a mile outside Roaring River park on Highway 112. The couple who own the park like my dog, I have had all sorts of compliments on Sammy and so, I conclude, people from Missouri are polite and friendly. The owners of the park have a small girl who can be no older than six. After asking me about the dog, they ask me about my two children, and then relate that they too have two older children, and the daughter who now keeps them company was a surprise, a pleasant one. I stopped at their park because I saw that their sign said free internet. It also said dish TV and pool, but I didn't have kids with me, just the dog.

The cabin is clean. As promised there is internet and dish TV. There are two double beds, one for Sammy and one for me. There is a kitchen with stove and frig, if I were to stay longer.But, the best thing about the cabin is the fresh air and quiet. Thank God, this is not a Super 8, where they always leave the lights on. No, this simple cabin is a throw back to simpler times, good people, and good living. And, in the process of rediscovering the past, I have refilled my gas tank.